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FAMILIE FLÖZ is coming to the Reeperbahn!


In collaboration with the St. Pauli Theater, we’re creating a play that explores the myths and wonders of St. Pauli — a legendary place where dreams come true and shatter. A place where sailors encounter queer culture. A place of fools and dreamers, realists and crooks, outsiders and those right in the thick of it.
Inspired by Cesare Zavattini’s short story “The Miracle of Bamba” which served as the basis for Vittorio de Sica’s legendary film “Totò il Buono,” a world of quintessentially Flöz-style characters come to life — a world governed by different rules than those of the city of shipowners and merchants.
 The sense of community and solidarity—which even the individual pursuit of happiness cannot destroy—finds a home here. But this attracts the envious. For like any idyll, this one is also threatened by people for whom the very existence of this place is a threat in itself. Utopias and diversity aren’t for everyone. After all, an idyll doesn’t generate profit.


On stage: five performer, two musicians, and nearly 30 characters. It all begins in the darkness, on a wasteland just outside the city gates. Marginalized figures have carved out a simple life here. Totò is born into this world, and Totò brings the light. Once it’s there, everyone wants itLight for sunbathing,  light for her flowers, light to turn on, light to turn off again—light for her dreams.
Light becomes a symbol of personal happiness, a source of longings and wishes. A quarrel breaks out. It becomes twilight, a warning light, a red light, and a spotlight. The wasteland becomes colorful, an attraction and a stage. And suddenly, some sense a business opportunity.

WUNDER is a fairy tale inspired by the peculiar neighborhood of St. Pauli. A wordless fairy tale for adults, featuring a poetic blend of drama, comedy, and music.

Press

You watch in awe and let yourself be enchanted.

 

Neues Deutschland

Incredibly good. A terrific show!

 

FÜRTHER NACHRICHTEN

The production presents itself as a huge, glowing crossword puzzle. A must-see!

 

La Repubblica

In a world full of words, Familie Flöz is pure bliss. No sound, no finger-pointing – just masks that reflect us. We recognise ourselves in caring, helplessness, loneliness. ‘Finale’ is quiet, yet full of music, precise, painfully beautiful – and is celebrated with long, thunderous applause.

 

Neue Westfälische

Big applause!

 

Berliner Morgenpost

Power and poetry. Clever and beautiful.

 

Die Glocke

The trademark of the company, the use of rigid masks, reaches its highest poetic peak here. Every gesture is measured, every movement has weight, direction, intention. Physical theater in its purest and most spiritual sense. In the darkness of the auditorium, for long moments, it truly seems as if theater is doing what it should always do: not explain life, but celebrate it.

 

Corriere Spettacolo

It is a work, which, as is often the case with the Flöz family, does not need to be explained: it is enough to let oneself be penetrated by its poetic density and physical essence.

 

Il Roma

Dates

08.10
Hamburg | de
09.-31.10
Hamburg | de

01.11
Hamburg | de
CREDITS

WUNDER
a creation by Familie Flöz in collaboration with St. Pauli Theater Hamburg
inspired by the novel "Totó il Buono" by Cesare Zavattini

A production by St. Pauli Theater Hamburg with Familie Flöz

Ensemble:Viviane Hamm, Paul Heimel, Jakob Immervoll, Anna Kistel, Daniel Mathéus, Benjamin Reber, Moritz Thorbecke
Direction: Mats Süthoff
Co-Writer, Masks: Hajo Schüler
Set: Sophie Leypold
Costume: Mascha Schubert
Music: Benjamin Reber, Moritz Thorbecke
Dramaturgy: Ulrich Waller
Technical Direction FF, Lights: Reinhard Hubert
Technical Direction St. Pauli Theater: Lars Kasten
Assistance Direction: Lucia Wunsch
Assistance Set, Props: Lio Mittel
Set Construction: Lars Kasten
Workshop Costume: Marion Czyzykowski
Production: Christiane Schindler
Production FF: Michael Vogel
Administration FF: William Winter
Tour Organisation: Mattia Carchedi
Booking: Gianni Bettucci
 
Artistic Direction Familie Flöz: Hajo Schüler, Michael Vogel

 

with kind support by Hapag Lloyd Stiftung